“My Kind of Cinema Heaven.” “10/10”.
“I could watch hours and hours of this kind of pure & lovely storytelling ..”
Alex Billington, firstshowing.net
“Salleh and Tucker’s vision remains authentic and naturalistic.” “4/4 stars” "An Essential Experience."
Courtney Howard, Awards Circuit
"We Don't Deserve Dogs is a beautiful documentary."
Stephen Romei, The Australian
“‘We Don’t Deserve Dogs’ is a soul-stirring portrait of good dogs and the humans who desperately need them.”
Ethan Anderton, slashfilm.com
"The stories are intimate and personal, and so off-the-beaten-path that it's
hard not to wonder how the filmmakers found these people, these dogs."
Cameron Woo, The Bark
“Superbly photographed and edited.”
“What makes the narrative resonate is the film’s overall emphasis on the consistency of human-dog bonds, across borders.”
Chris Llewellyn Reed, Hammer to Nail
“From the moment We Don’t Deserve Dogs begins,
it is clear this is going to be a special film.”
Brianna @ Nerds & Beyond
“Filled with stories both inspiring and heartbreaking.”
“…like a good lick in the face by an adorable puppy, it’s near-impossible to resist.”
Alex Saveliev, Film Threat
In addition to renting or buying the film, you can also buy the official film poster!
The artwork is by producer Rose Tucker who, during the coronavirus lockdown,
took to painting the many dogs in the film.
Filmmakers Matthew Salleh and Rose Tucker embarked on a year long journey around the globe to capture the special relationship between humans and dogs.
We Don’t Deserve Dogs is our second documentary film, following on from our 2017 debut Barbecue. We were very fortunate to travel the world to discover the unique bonds between dogs and humans.
In making this film, we wanted to explore not only the loving loyalty our four-legged friends give us, but also truly ponder the question of whether we, as humans, deserve the love that dogs can give.
Our journey took us to all corners of the globe. From shepherds deep in the mountains of Romania, to a day of dog worship in Nepal, there were many ways in which this unique connection was expressed.
We are completely independent, self-funded filmmakers. And whilst that created many challenges, it also allowed us to explore stories in a free and organic way. We worked with local researchers (dubbed ‘fixers’) to discover extraordinary characters, whose experiences impact the world they see around them. In northern Uganda, former child soldiers help rehabilitate street dogs; the intimate process helps them deal with the trauma and stigma of war. In Peru, pets are showered in an excess of love – a substitute for traditional family structures in a modern world. We were never duty-bound to any preconceived expectations of what a story would be. We simply let our subjects be the guide to how they see the world.
And all along, the real stars were the dogs. It was a delight photographing them, although it wasn’t always easy. We work as a crew of two, with Matt filming and Rose recording sound. We put a huge emphasis on authenticity – everything was filmed with natural light, and the complex soundscapes of each place were recorded by Rosie in incredible detail. A lot of time was spent chasing dogs up and down hills, and through winding city streets. It was exhausting, and very rewarding.
We also filmed in Cinemascope, a challenging frame to work with. Fritz Lang once said that Cinemascope was only good for filming snakes and funerals, but it’s good for filming people with their dogs too. Modern ‘gimbal’ technology also allowed us to follow the dogs at their level, flowing in and out of their world with Kubrickian accuracy.
One of the greatest challenges in our films is the complexity of language. We work hard to capture people’s thoughts in their own words. Back at home, editing in our one bedroom Brooklyn apartment, we worked with hundreds of pages of translated interviews. One of the most rewarding aspects of a film like this is the continuing work we did with passionate linguists, who would help us navigate through the nuance of thoughts and ideas. We would constantly discover gems in the details of words and phrases.
Our ‘two-person approach’ to filmmaking continued into all the elements of post-production. We both edited and graded the film together, and even mixed the film in surround sound (much to our neighbor’s chagrin).
Our other main collaborator was composer Blake Ewing, whose music carries throughout the film as a constant, reassuring presence. Our concept was to have a steady ‘heartbeat’ around which the film’s score ebbs and flows. That steady, elemental ostinato draws together the disparate stories from around the globe and provides a collective pulse.
We try with every one of our films to challenge the tropes and conventions of the subject matter. With this film, we wanted to avoid the cliché ‘cuteness’ of other dog documentaries, and try to elucidate the melancholy side of the relationship. The shade amongst the brightness. We also made an early decision to not stray away from the issue of dogs as a source of meat in Vietnam. A challenging story to capture, and a challenging story to watch, we felt it was essential to understanding the relationship between humans and animals. And as a person of Asian heritage, Matt also believed it was essential to explore what has become a pejorative, and often misconstrued stereotype.
The film was set to debut at SXSW in 2020 until its cancelation due to the coronavirus pandemic. 2020 was a brutal year for creativity, and it has been difficult to bring the film to larger audiences. But even with the challenges, we presented the film at over a dozen festivals. We have chosen to now release the film ourselves, and bring it to new audiences in a meaningful way.
In a way we see this film as a powerful reminder of the ‘before’ time, and hope through this film that our desire to see that a more connected world, fused together by mutual respect and understanding, will one day flourish again.
For us, We Don’t Deserve Dogs became about so much more than capturing the heart and soul of our furry little friends. It has become a way for us to express our view of humanity, in all its faults and virtues.
It was an incredible experience creating it.
About the Filmmakers
Matthew Salleh and Rose Tucker are an Australian born, Brooklyn based documentary filmmaking duo. Their debut feature Barbecue world premiered at SXSW in 2017, was picked up for a three year global release by Netflix, and won the 2018 James Beard Award for Best Documentary.
Their second feature documentary, We Don't Deserve Dogs, was selected to premiere in competition at SXSW 2020, which was canceled due to the coronavirus pandemic. The film recommenced its festival run later in 2020, with selections at major festivals including Warsaw Film Festival, Miami Film Festival GEMS, and the Brisbane International Film Festival.
Matt and Rosie's films are consistent festival favorites, screening at over 40 film festivals. Their short documentary Pablo’s Villa was the recipient of the 2014 ATOM Award for Best Australian Short Documentary, and Central Texas Barbecue was awarded Best Short Film at the 2015 New York Food Film Festival.
Partners in life as well as art, Matthew and Rose have collaborated for over a decade. They work together as a two-person crew - Matthew as director and cinematographer, Rose as producer and sound recordist. Their films seek to tell global stories about the power of community, the role of tradition, and how unique cultural experiences shape the human condition.
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The filmmakers, Matt & Rosie, are completely independent and self-funded, and rely mainly on the revenue generated by their films to help fund new projects. If you would like to support the filmmakers, you can do so with a contribution below. Additionally, if you are currently experiencing financial hardship, feel free to reach out to us via the contact page here, and we will provide you with a coupon code so you can watch the film for free.